The Epitome of Modern Soul
Back to Black is the definitive Amy Winehouse track. Released in 2006, it pays homage to 1960s girl groups while delivering a gut-wrenching lyrical performance about heartbreak. The production mimics the "Wall of Sound" style, but the vocal is front, center, and incredibly raw.
To sing this well, you need to abandon the idea of "pretty" singing. This song is about weight, tone, and rhythm. Amy was a Contralto, meaning she was most comfortable in the lower part of her voice. Let's break down exactly how to tackle it.
AI Coach Tip: The "Layback"
Amy was a jazz singer at heart. She rarely sang directly on the beat. Our analysis shows that users score higher when they delay their phrasing slightly (singing "behind the beat") rather than rushing the lyrics.
Phase 1: The Verses (D3 - A3)
The song begins in D minor. The opening lines ("He left no time to regret") sit very low. For many female singers (sopranos especially), the D3 is a challenge.
The Technique: Do not push air to get the low notes; this causes vocal fry. Instead, lower your larynx slightly (mimic the start of a yawn) and keep your chest open. You want a thick, warm resonance.
Phase 2: The Chorus (F3 - G4)
The intensity lifts here. "We only said goodbye with words" requires a strong chest belt. The G4 is not high by pop standards, but it must be sung with power and weight.
- Vowel Shape: Amy uses dark vowels. "Words" sounds more like "Wuh-rds." Round your lips to darken the tone.
- Placement: Keep the sound forward in the mask of the face, but anchored in the chest. If you switch to head voice here, you will lose the stylistic impact.
Phase 3: The Bridge and Outro
The bridge ("Black... black... black...") is an exercise in dynamics. It requires a repetitive, hypnotic delivery that mimics the feeling of spiraling depression.
You can add a slight "cry" or break in your voice on the release of the notes to mimic Amy's emotional delivery. The AI Coach monitors for steady pitch here—even though the emotion is raw, the pitch center must remain stable.
Frequently Asked Questions
The lowest note in the studio recording is approximately a D3, found in the verses. Live versions sometimes dipped even lower.
Yes, but the low notes might lack power. We recommend transposing the song up +2 or +3 semitones using the Singing Coach AI app to fit a higher tessitura while keeping the soul feel.
Focus on chest resonance and dark vowels. Shape your mouth vertically rather than horizontally, and avoid smiling while singing to keep the tone deep and rich.
