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How to sing Someone Like You

Analyze your vocal range against Adele's emotional masterpiece. Get real-time feedback on pitch, breath support, and tone.

Someone Like You

Adele • 2011

COMMUNITY AVG SCORE

72/100

Most users struggle with breath control.

Song DNA

Before you record, know the numbers. This track requires significant emotional stamina and excellent control of the break between chest and head voice.

Hard
Difficulty
F#3 - E5 Vocal Range
Mezzo Best Voice Type
A Major Key Signature
4:45 Duration
Mix/Head Register

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The "Mount Everest" of Emotional Pop Ballads

Someone Like You is the track that defined a generation of breakup songs. Released on Adele's 2011 album 21, the arrangement is deceptively simple: just voice and piano. This exposure means there is nowhere to hide. Every breath, crack, and tremolo is audible.

To sing this well, you need more than just pitch accuracy; you need dynamic control. You must navigate from the deep, conversational lows of the verse to the soaring, heartbreaking highs of the chorus without losing the emotional thread. Let's break down the technique.

AI Coach Tip: Watch the Phrasing

Many users run out of breath during the chorus. The phrases are long. Our analysis suggests taking a deep, low breath before "Never mind, I'll find" to sustain the power through the end of the line.

Phase 1: The Verse (Low & Intimate)

The song starts in A major with a repeating piano ostinato. The opening line "I heard that you're settled down" sits around F#3. For many Sopranos, this is the very bottom of the range.

The Trap: Singers often try to "push" these low notes to make them sound louder, resulting in a groggy sound. Instead, keep the volume mezzo-piano and rely on chest resonance. Think of speaking the lyrics rather than singing them to maintain intimacy.

Phase 2: The Pre-Chorus (Building Tension)

As you reach "I hate to turn up out of the blue," the melody rises. You need to start lifting your soft palate here to create more space in the throat. This section acts as a bridge, increasing in volume and intensity.

Be careful with the transition on "uninvited." Keep the jaw loose to avoid tension creeping in before the big chorus hits.

Phase 3: The Chorus (The "Flip")

This is the emotional peak. The melody jumps to an E5. Adele famously uses a "flip" into her head voice (falsetto) on notes like "find" and "beg," rather than belting them fully in chest voice.

This technique—breaking the voice intentionally—mimics the sound of crying. To achieve this, don't squeeze the vocal cords tight. Allow the air to flow freely and switch registers instantly. It requires confidence; if you hesitate, the note will go flat.

Frequently Asked Questions

What is the highest note in Someone Like You?

The highest note is an E5, hit during the chorus on the word "beg" (in the phrase "I beg, I remember you said"). It is typically sung in head voice.

What voice type is best for this song?

Adele is a Mezzo-Soprano / Contralto. The song requires a strong lower register (down to F#3), making it ideal for Altos and Mezzos, though Sopranos can sing it with a lighter touch.

How do I stop my voice from cracking on the chorus?

The crack often happens when carrying too much chest weight up. Try lightening the sound as you ascend to the E5 and allow the voice to flip into falsetto/head voice naturally.

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