The Gold Standard of Hard Rock Vocals
Back in Black is arguably the most iconic hard rock anthem of all time. Released in 1980 as a tribute to the late Bon Scott, it marked the debut of Brian Johnson. His vocal performance on this track is legendary for its power, stamina, and unique tonal texture.
Singing this song isn't just about hitting high notes; it's about attitude. The song sits relentlessly in the "passaggio" or break area for male singers, requiring incredible breath support to maintain that signature rasp without causing vocal damage.
AI Coach Tip: Safe Distortion
Many beginners try to get Brian Johnson's sound by squeezing their throat. This is dangerous. The grit should come from false cord engagement and high airflow, not tension. If it hurts, stop immediately.
Phase 1: The Verses (Percussive Delivery)
The verses ("Back in the back of a Cadillac") are delivered almost like a drum track. The melody is relatively static, hovering around E4 and G4, but the rhythm is staccato. You need to lock in with the snare drum.
The Trap: Don't slur the words. AC/DC vocals are surprisingly articulate. Emphasize the consonants (B, K, T) to cut through the mix of loud guitars.
Phase 2: The Chorus (Power Belt)
When the chorus hits ("I'm back, I'm back!"), the energy explodes. You are belting open vowels here. The pitch accuracy is crucial because the distortion can often mask if you are flat. The AI Coach will help you distinguish between "gritty" and "off-key."
Phase 3: The High Range (G5 - A5)
Towards the end of the song and during ad-libs, Brian Johnson pushes into the 5th octave. These notes are sung in a reinforced head voice mixed with chest resonance. It requires a lot of physical energy and a very engaged core.
To hit these safely, think of the sound going "up and over" your soft palate, projecting towards the front of your face (the "mask"), rather than shouting from your chest.
Frequently Asked Questions
The highest belted notes reach up to an A5 during the ad-libs. The main melody sits comfortably between E4 and B4.
Yes, but only with proper technique. You must use diaphragmatic support to create the compression. If you feel scratching or tickling in your throat, you are using the wrong muscles.
It will be challenging in the original key. The Singing Coach AI app allows you to transpose the backing track down to match your range while you build strength.
