Mastering the "Folktronica" Vibe
Bad Things showcases the signature Milky Chance sound: a driving beat paired with melancholic, scratchy vocals. Released on the album Blossom, this song requires a balance of rhythmic precision and vocal relaxation. It isn't about hitting impossibly high notes; it's about the "pocket" and the tone.
To sing this well, you need to abandon classical enunciation. Clemens Rehbein's delivery is characterized by softened consonants and a unique vowel shape that leans into a relaxed, almost mumbled style while maintaining pitch accuracy.
AI Coach Tip: Rhythmic Phrasing
Don't rush the delivery. The vocals sit slightly behind the beat in the verses. Our analysis shows users often speed up during the pre-chorus. Stay laid back and let the bassline lead you.
Phase 1: The Verse (The Pocket)
The song starts in a comfortable mid-range for Baritones. The melody is repetitive, which means your expression must come from dynamics and rhythm. Think of the vocal line as a percussion instrument.
The Trap: Over-singing. If you project too much during the verses, you lose the intimacy of the track. Keep your volume at a conversational level, focusing on the "bounce" of the lyrics.
Phase 2: The Pre-Chorus Climb
As the energy builds, the melody lifts. This requires a transition from your speaking voice into a lighter mix. You need to maintain the grit without straining. If you feel tightness in your neck, tilt your head slightly down to neutralize the larynx.
Phase 3: The Chorus & Falsetto
The hook involves layering. The main melody stays grounded, but the harmonies (often sung in falsetto) provide the signature "Milky Chance" sound. When switching to falsetto for the higher parts or ad-libs, keep it breathy and light.
The line "Are we doing bad things" should be delivered with a sense of resignation. Use a "creaky" vocal fry at the very onset of the phrase to emulate the original recording's texture.
Frequently Asked Questions
The core chest voice melody reaches up to a G4, but the falsetto harmonies and ad-libs extend higher. It is very accessible for most male voices.
Do not squeeze your throat. The "rasp" should come from vocal fry (low airflow, relaxed cords) or false cord engagement, not from grinding your true vocal cords together. Start quietly.
Melodically, it is moderate. Rhythmically, it can be tricky. Beginners often struggle to maintain the "swing" feel without rushing.
