A Masterclass in Pop/R&B Phrasing
Leona Lewis's "Better in Time" is a staple from her 2008 debut album Spirit. While it lacks the dizzying high notes of "Bleeding Love," it presents a different challenge: sustained control and emotional storytelling. The song blends Pop and R&B elements, requiring a singer to navigate the break between chest and head voice smoothly.
To sing this well, you must master the art of "holding back." The verses are intimate and conversational, while the chorus opens up into a full, resonant sound. Let's break down exactly how to tackle it, section by section.
Phase 1: The Verses (Intimate & Low)
The song begins in F# Major. The opening lines "Ooh, ooh" set the mood. You want a soft, breathy placement here, but not weak. When the lyrics start ("Been the longest winter without you"), keep the volume at a conversational level.
The Trap: Rushing the rhythm. The song has a laid-back groove. Listen to the snare drum and sit slightly behind the beat to achieve that relaxed R&B feel.
Phase 2: The Chorus (The Lift)
As you move into "It will all get better in time," the melody lifts. You need to switch from that breathy verse tone to a clearer, forward placement. This isn't a full rock belt, but rather a strong "mix."
- Resonance: Aim the sound towards your hard palate (the roof of your mouth) to get that bright, pop sheen.
- Vowels: Modify the "Time" vowel to sound more like "Tah-eem" to keep the throat open on the higher pitch.
Phase 3: The Bridge & Ad-libs
This is the emotional climax. Leona introduces runs and ad-libs that reach up to Eb5. The line "Smile again" requires a burst of energy.
For the ad-libs, accuracy is key. These are pentatonic scales. If you can't sing them fast yet, slow them down in the Singing Coach AI app to 75% speed. Nail the pitch accuracy first, then bring it up to speed.