The King of Pop's Rock Fusion
Released as the lead single from the Dangerous album in 1991, "Black or White" fuses hard rock guitars with a swinging pop rhythm. While the melody might seem simple at first, Michael Jackson's delivery is anything but. It relies on percussive diction, rapid-fire rhythmic changes, and a comfortable command of the upper chest register.
To sing this track effectively, you need to channel your inner drummer. MJ often uses his voice as a rhythm instrument, snapping consonants and cutting off phrases sharply. Let's break down the technical approach required for a high score.
AI Coach Tip: The "Hiccup" Technique
MJ is famous for his vocal "hiccups" (glottal stops). In the verses, try adding a quick, sharp breath intake before words like "baby" or "girl." This adds the signature percussive attack found in the original recording.
Phase 1: The Verses (Percussion over Pitch)
The verses sit comfortably in the mid-range for Tenors (E3 - E4). The challenge here isn't the notes; it's the groove. The delivery should be staccato and crisp.
The Trap: Many singers drag the tempo. You must stay right on top of the beat. Avoid legato (smooth) singing here; keep it punchy and conversational.
Phase 2: The Chorus Belt
The chorus ("But, if you're thinkin' about my baby...") jumps up in energy. You'll need to belt up to a G#4 and B4.
- Placement: Keep the sound forward, right behind your nose and teeth. This "mask resonance" helps cut through the heavy guitar riff.
- Vowels: Modify the word "White" towards "Whut" slightly to keep the throat open on the sustained notes.
- Dynamics: This section should be sung at a solid forte volume.
Phase 3: The Rap Bridge
Originally performed by L.T.B., the rap section ("Protection / For gangs, clubs, and nations...") is a major hurdle. It requires excellent breath control.
To nail this, practice the rhythm slowly without pitch. Focus on the triplets. You need to take quick "sip" breaths at the punctuation marks, or you will run out of air before the final "I'm not gonna spend my life being a color."
Frequently Asked Questions
The highest belted chest-voice note in the main melody is a B4. However, Michael's ad-libs and vocal squeals often reach up to E5 and beyond into the falsetto register.
Yes, but you may need to transpose it. The E Major key is quite high for Basses and Baritones. Try lowering the track by -3 or -4 semitones in the Singing Coach AI app.
MJ uses a technique called "vocal fry" at the onset of certain words to add attitude. Be careful not to push too hard from your throat, as this can cause damage. Use your diaphragm for support.
