The Ultimate Modern Baritone Anthem
"Blame It on Me" is a standout track from George Ezra's debut album Wanted on Voyage. It showcases the power of a well-controlled lower register combined with upbeat acoustic energy. Unlike many pop songs that push for high belts, this track sits comfortably in a mid-to-low range, making it perfect for Baritones and Tenors looking to explore their chest resonance.
To sing this well, you need to balance a relaxed, open throat with percussive diction. The song moves quickly, so your tongue and lips need to be agile while your jaw stays relaxed to maintain that warm "Ezra" tone.
AI Coach Tip: Watch Your Larynx
Many singers try to "fake" a deep voice by pushing their larynx down hard. This causes a muffled, Kermit-like sound. Keep your larynx neutral and focus on chest vibration instead for a natural, rich tone.
Phase 1: The Rhythmic Verses (0:00 - 0:42)
The song starts with a driving acoustic guitar rhythm. The vocal entry "The garden was blessed by the gods of me and you" requires precise timing. You are almost singing percussively here.
The Trap: Because the lyrics are fast ("We headed West for to find ourselves some truth"), singers often run out of breath. Plan your breath marks at the end of every second line, and keep the volume at a conversational level.
Phase 2: The Pre-Chorus & Chorus (0:42 - 1:15)
The energy lifts here. On the line "What you're waiting for?" you are hitting the upper part of the chest voice (around F4/G4). This isn't a falsetto note; it needs power.
- Open Vowels: Modify the word "for" slightly towards "fah" or "foh" to keep the throat open on the higher pitch.
- Dynamics: The chorus should be significantly louder than the verses. Use your diaphragm to support the increased volume without straining the throat.
Phase 3: The Bridge Build-up (2:10 - 2:38)
The bridge repeats the "What you're waiting for" motif but builds in intensity. This is an endurance test. The key is to stay relaxed. If you tense up on the first repetition, you will be fatigued by the final chorus.
Focus on the "twang" in your voice to cut through the increasing instrumentation rather than just pushing more air.
Frequently Asked Questions
The melody hits a solid G4 in the chest voice during the chorus. It's a very accessible high note for most male voices.
George has a naturally thick vocal fold mass, but you can emulate the style by keeping a "tall" mouth shape inside (soft palate raised) and allowing the sound to resonate in your chest.
Yes! Tenors will find the low notes (Eb3) easy to reach, and the high notes (G4) will be very comfortable. You might just sound a bit brighter than the original recording.
