How to sing Drive

Analyze your vocal range against Michael Stipe's somber classic. Get real-time feedback on pitch, breath control, and dynamics.

Album cover for Drive by R.E.M.

Drive

R.E.M. • 1992

COMMUNITY AVG SCORE

74/100

Most users rush the tempo in the verses.

Song DNA

Before you record, know the numbers. This track requires immense control, focusing on a lower register and building intensity without belting.

Medium
Difficulty
A2 - E4 Vocal Range
Baritone Best Voice Type
D Minor Key Signature
4:31 Duration
Chest Register

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A Masterclass in Vocal Restraint

"Drive" is the lead single from R.E.M.'s 1992 masterpiece Automatic for the People. Unlike the high-energy "It's the End of the World as We Know It," this track is defined by its somber, hypnotic atmosphere. It features Michael Stipe singing in a lower register with a distinctive "monotone" quality that slowly builds in intensity.

To sing this well, you must resist the urge to over-act. The power of this song comes from holding back. You need excellent breath control to maintain the steady, rhythmic delivery without sounding bored. Let's break down the vocal strategy.

AI Coach Tip: Watch Your Dynamics

Many singers start the first chorus too loudly. Our analysis shows that users who maintain a mezzo-piano volume until the bridge score 20% higher on style accuracy. Keep it contained.

Phase 1: The Verses (0:00 - 0:52)

The song begins in D minor with an acoustic guitar. The opening line "Smack, crack, bushwhacked" sits low (around A2/B2). This is comfortable for Baritones but requires Tenors to relax their larynx completely.

The Trap: Because the melody is repetitive, singers often lose pitch accuracy. Focus on diction and the rhythmic "tick-tock" feel of the lyrics. Enunciate the consonants clearly to cut through the reverb.

Phase 2: The Chorus (0:52 - 1:30)

The famous line "Hey kids, rock and roll" is not a celebration; it's cynical. The melody lifts slightly here, but stays within a comfortable chest voice range.

  • Tone Color: Aim for a "dry" tone. Don't use too much vibrato. Stipe's delivery is almost conversational.
  • Nobody tells you where to go: Ensure you hit the D3 cleanly on "go" without sliding down.
  • Support: Engage your diaphragm to keep the notes steady, even at low volume.

Phase 3: The Build (2:45 - End)

After the guitar solo, the song builds. The drums kick in harder, and Stipe's vocals become more urgent. You can finally add some chest resonance and volume here, reaching up to the E4.

However, notice that he never fully "belts" or screams. The intensity comes from a tighter vocal cord closure and forward placement, not just pushing more air.

Frequently Asked Questions

What is the highest note in Drive?

The main vocal melody tops out around E4 (in the chest voice). There are harmonies that go slightly higher, but the lead vocal is very contained.

Is this song good for beginners?

Yes. The range is accessible (A2-E4), making it great for beginners learning to control their lower register without straining for high notes.

How do I sound like Michael Stipe?

Focus on the "twang" in your voice. Stipe has a nasal quality. Try smiling slightly while singing the verses to brighten the tone, but keep the volume low.

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