How to sing Empty Chairs at Empty Tables

Analyze your vocal range against Eddie Redmayne's emotional performance. Get real-time feedback on dynamics, pitch, and storytelling.

Cover art for Empty Chairs at Empty Tables by Eddie Redmayne

Empty Chairs at Empty Tables

Eddie Redmayne • 2012

COMMUNITY AVG SCORE

72/100

Most users struggle with breath control.

Song DNA

Before you record, know the numbers. This track requires significant acting ability and control over dynamics, moving from a whisper to a cry.

Medium
Difficulty
A2 - G4 Vocal Range
Baritenor Best Voice Type
A Minor Key Signature
3:12 Duration
Chest/Mix Register

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A Masterclass in Acting Through Song

"Empty Chairs at Empty Tables" is the emotional nadir of Marius's arc in Les Misérables. In the 2012 film adaptation, Eddie Redmayne performed this song live on set—a rarity in musical films—which resulted in a raw, tear-filled take that prioritizes emotional honesty over polished vocal perfection.

To sing this well, you must resist the urge to "over-sing." This isn't about power; it's about grief, survivor's guilt, and storytelling. You need excellent breath support to maintain the quiet intensity of the verses without losing pitch.

AI Coach Tip: The "Cry" Technique

Eddie Redmayne utilizes a slight "sob" or cry in his vocal tone. You can achieve this by slightly lowering your larynx. Our analysis shows users often go too flat when attempting this; ensure you keep your soft palate raised to maintain intonation.

Phase 1: The Ghostly Intro (0:00 - 1:15)

The song begins in A Minor. The opening lines, "There's a grief that can't be spoken," should be delivered sotto voce (in a hushed voice), almost like a whisper. However, a whisper has no pitch. You must use a mix of air and tone.

The Trap: Losing breath support. Because you are singing quietly, your body may want to collapse. Keep your ribcage expanded to sustain the long phrases on "pain goes on and on."

Phase 2: The Build (1:15 - 2:10)

As Marius remembers his friends ("Here they talked of revolution"), the dynamic must increase. The key here is to add more chest resonance. The anger of their loss begins to mix with the sorrow.

Focus on your diction. The consonants on "stopped," "sung," and "rang" should be crisp to convey the bitterness of the memory.

Phase 3: The Climax (2:10 - End)

The emotional peak hits with "Oh my friends, my friends, don't ask me..." leading into the high G4. Unlike a rock song, this belt shouldn't be piercing; it should feel round and heavy.

Redmayne allows his voice to break slightly for emotional effect. While the Singing Coach AI will track your pitch accuracy, don't be afraid to sacrifice a perfect tone for a moment of genuine acting. The final note fades back into the silence of the empty room—control your exhale carefully here.

Frequently Asked Questions

What is the highest note in Eddie Redmayne's version?

The highest note is a G4 on the word "morning" during the climax ("phantom morning light"). It requires a solid upper chest or mix voice.

Is this song for Tenors or Baritones?

The role of Marius is traditionally a Tenor, but Eddie Redmayne brings a Baritone richness to the role. The range is very accessible for Baritones, though the high G4 may require some mix technique.

How do I stop my voice from shaking?

If your voice shakes due to lack of support, engage your diaphragm more. If it shakes due to "fake crying," dial it back. Real emotion affects the voice naturally; forced emotion causes tension.

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