The Ultimate Crooner Anthem
Michael Bublé's 2005 rendition of "Feeling Good" revitalized the classic Newley/Bricusse standard. Featured on his breakthrough album It's Time, this track is a masterclass in dynamic control. It starts as a whisper and ends as a roar.
To sing this well, you need more than just pitch accuracy; you need swagger. The arrangement demands that you command the stage (or the microphone) with a rich, resonant tone that isn't overpowered by the heavy brass section. Let's break it down.
AI Coach Tip: Breath Support
The phrase "Dragonfly out in the sun" in the intro is sung with no instrumental backing. Our analysis shows users often run out of breath here. Take a deep, low breath before you start to maintain a steady tone.
Phase 1: The A Cappella Intro (0:00 - 0:46)
The song begins with just the voice. This exposes every flaw. You want to aim for a "legato" feel—smooth and connected. The key is Eb Minor, which sits nicely in a Baritone's chest voice.
The Trap: Rushing the tempo. Bublé uses heavy rubato here, meaning he pushes and pulls the timing. Listen to the track and try to feel the space between the words.
Phase 2: The Groove (0:46 - 2:40)
When the bass and drums kick in, your vocal approach must change. You are now part of the rhythm section. Focus on crisp diction on words like "blossom" and "butterfly."
- Tone Color: Keep it warm but forward. Imagine smiling slightly while singing to brighten the sound.
- The "Hey": The interjections between verses should be punchy and short.
Phase 3: The Big Finish (2:40 - End)
This is where the song earns its difficulty rating. As the brass swells, you need to match their energy. The final belt on "Freedom is mine" climbs to a Bb4.
To hit this safely, drop your jaw and anchor your body. Do not strain your neck. Bublé also uses a technique called a "fall-off" at the end of the last note, sliding the pitch down rapidly for a dramatic effect.
Frequently Asked Questions
In Michael Bublé's version, the highest belted chest-voice note is a Bb4 (on "Freedom is mine"). He also scats briefly in a similar range.
Yes, though the low notes in the intro (C3) might lack the weight of a natural Baritone. Tenors often sound great on the ending belt. You can transpose the key up +2 semitones in the app if the lows are too quiet.
It's all about vowel shaping and vibrato. Keep your vowels tall and round, and delay your vibrato until the very end of sustained notes.
