Mastering Bowie's "Plastic Soul"
Golden Years is the quintessential track from Bowie's Station to Station era. It marked a shift towards funk and disco, a style he referred to as "plastic soul." For a singer, this song offers a very different challenge than his earlier glam rock hits.
The song relies less on power belting and more on swagger, rhythm, and a controlled lower register. The challenge lies in maintaining the cool, detached persona while navigating the jumpy intervals of the funk melody.
Phase 1: The Low Croon (Verses)
The verse melody sits low, touching down to an F#2. This is comfortable for Baritones but can be tricky for Tenors to project.
The Trap: Singers often "fry" their voice to hit the low notes, losing tone. Focus on chest resonance. Visualize the sound vibrating in your sternum. Keep the volume consistent; don't whisper just because it's low.
Phase 2: The Falsetto Swaps
Throughout the song, particularly in the backing vocals and ad-libs ("Golden years, gold whop whop"), Bowie flips into a light falsetto. This needs to be airy but pitch-perfect.
- The "Whop Whop": This is a percussive vocal. Treat it almost like a drum hit. Short, staccato, and light.
- "Run for the shadows": Ensure your diction is crisp here. The words move fast, and blurring them will lower your timing score in the app.
Phase 3: The Bridge Build-up
The section "Some of these days, and it won't be long" sees the melody rise. You need to switch from that low croon to a brighter, more forward tone. This is the moment to inject more energy before dropping back down into the cool, composed verse.
Bowie uses a lot of vibrato at the end of his phrases here. Practice holding the note straight for a split second, then widening into a vibrato.