The Masterclass in Vocal Texture
Human Nature is a standout track from the legendary Thriller album. Unlike the aggressive pop of "Beat It" or "Billie Jean," this song requires delicate precision. It sits firmly in the sweet spot of the Tenor range but demands a masterful control of "air" in the voice.
To sing this well, you cannot push for power. You need to focus on texture, legato (smooth) verses, and staccato (detached) choruses. Let's break down exactly how to tackle Michael's nuances.
AI Coach Tip: Breath Management
The biggest mistake users make is running out of air. The "breathy" tone MJ uses consumes oxygen faster than clear singing. Take deep, diaphragmatic breaths before the phrases "Looking out" and "Electric eyes".
Phase 1: The Verses (0:24 - 1:05)
The song begins in D Major. The entry "Looking out, across the night-time" requires a soft onset. Avoid a "glottal attack" (a hard click in the throat). Instead, imagine putting an invisible "H" in front of the vowels to soften the start of the words.
The Trap: As the melody floats, it's easy to go flat. Keep your soft palate raised (as if suppressing a yawn) to maintain pitch while keeping the volume low.
Phase 2: The Staccato Chorus (1:05 - 1:35)
This is the signature hook. The phrasing changes completely here. The line "If they say, Why, why" relies on rhythmic bounce. You must detach the notes slightly without losing the melodic flow.
- Rhythm: The "Why, why" lands on the backbeat. Don't rush it.
- Register: This sits in the "passaggio" (bridge) area for many singers. Keep it light. If you yell these notes, you lose the vibe of the song.
- Dynamics: Pull back the volume on the second "tell 'em that is human nature" to create contrast.
Phase 3: The Bridge & Ad-libs (2:35 - End)
Michael begins to improvise here, exploring the higher part of his register (up to B4). He uses a very heady mix. The line "I like livin' this way" should feel effortless.
To hit these high notes with that signature MJ sweetness, practice doing "siren" sounds on an "Ooooo" vowel. This helps thin out the vocal cords so you can reach the pitch without strain.
Frequently Asked Questions
The highest full-voice/mix note is a B4, though Michael often flips into a light falsetto that floats above this. The melody mostly centers around F#3 to A4.
Relax your vocal cords slightly to let more air escape, but keep your diaphragm engaged to support the sound. Think of it as a "loud whisper" that carries a pitch.
Yes, though the chorus might feel high. Baritones can use falsetto for the "Why, why" sections to match the lightness of the original, or transpose it down -2 semitones in the Singing Coach AI app.
