The Ultimate Pop Anthem Breakdown
"I Got You" is a quintessential pop hit from Bebe Rexha's 2017 EP All Your Fault: Pt. 1. While it sounds effortless, the song requires significant breath control due to its rhythmic, repetitive chorus and electropop tempo (98 BPM). The track leans heavily on Bebe's signature lower register and her ability to belt with a slightly raspy texture.
To sing this well, you need to balance attitude with precision. The melody sits comfortably in the chest voice for most Mezzo-Sopranos, but staying consistent on pitch during the fast-paced "I got you, I got you" hook is where the challenge lies. Let's break down exactly how to tackle it, section by section.
AI Coach Tip: Rhythmic Breathing
The chorus is repetitive and leaves little room for air. Our analysis suggests taking quick, diaphragmatic "sip" breaths between the phrases "I can tell you need it" and "Cause I got it." Do not gasp from the throat.
Phase 1: The Verses (Low & Sultry)
The verses begin in A Minor, hovering around A3 and C4. The tone here should be conversational but intense. Bebe uses a bit of vocal fry at the ends of phrases to create intimacy.
The Trap: Because the notes are lower, singers often lose volume and clarity. Keep your soft palate raised to maintain resonance, even when singing quietly. Focus on the lyrics "I can see you hurting, I've been there same way."
Phase 2: The Chorus (The Hook)
This is the energy center of the song. The melody jumps up to C5. You want a bright, forward-placed sound.
- Rhythm: The delivery is staccato. Don't slur the words together. Each "I got you" needs to land right on the beat.
- Dynamics: Step up the volume here, but don't scream. Use "twang" to cut through the heavy bass and synth production.
- Repetition: Be careful not to go flat as you repeat the hook. Keep the energy high until the very end of the section.
Phase 3: The Bridge & Ad-libs
The bridge breaks down, giving you a moment to breathe before the final push. The "Oh-oh" ad-libs require a smooth transition between your chest belt and your head voice. Keep the jaw loose to avoid tension on the higher vowels.
The final chorus involves layering. If you are recording a cover, consider double-tracking your vocals here to mimic the thick production style of the original track.
Frequently Asked Questions
The highest belted note in the main melody is a C5. However, there are ad-libs and harmonies that reach up to E5 in head voice.
Bebe has natural texture, but you can emulate it by relaxing your vocal cords and allowing a little more air to pass through (without drying out your voice). Do not force the rasp by squeezing your throat.
Yes. The range is accessible (A3-C5) and doesn't require extreme flexibility. It is an excellent song for practicing rhythm and breath control.
