The Future Bass Vocal Challenge
"In the Name of Love" is a defining track of the Future Bass genre, combining Martin Garrix's electronic production with Bebe Rexha's emotive, powerful vocals. Released in 2016, the song requires a vocalist to navigate extreme dynamic shifts—starting with intimate, low verses and exploding into a high-energy chorus belt.
To sing this well, you need to master your mix voice. If you pull your chest voice up too high during the chorus, you will strain. If you are too breathy in the verses, you will lose the pitch. Let's break down exactly how to tackle it, section by section.
AI Coach Tip: Watch Your Support
Many singers lose support on the low F#3 notes in the verse ("If I told you this was only gonna hurt"). Keep your core engaged even when singing quietly to maintain pitch accuracy.
Phase 1: The Low Register (Verses)
The song begins in F# Minor. The opening lines require a conversational, almost whispered quality. Bebe uses a lot of air in her tone here, but the pitch remains precise.
The Trap: It is easy to slide off pitch when singing this low and breathy. Ensure you are hitting the center of the note on "hurt" and "work." Do not let your voice fry out completely; keep a steady stream of air flowing.
Phase 2: The Climb (Pre-Chorus)
As the lyrics move to "If I scream out, this is what I need you for," the energy lifts. You should begin to shed the breathiness and introduce more cord closure. This section acts as a ramp, building tension before the drop.
- Resonance: Shift your resonance from your chest slightly upward into your "mask" (face) area.
- Dynamics: Increase your volume gradually. Don't give 100% yet—save that for the chorus.
Phase 3: The Chorus Belt
The hook "In the name of love" repeats with high intensity. This is where the song demands a strong belt or a reinforced mix voice. You will need to hit C#5 and D5 notes with power.
To achieve Bebe's piercing tone without hurting your throat, use "twang." Narrow the vocal tract slightly to create a brighter sound that cuts through the electronic synths. Avoid yelling; rely on breath support to project the sound.
Frequently Asked Questions
The main belted melody hits a C#5 and D5. There are ad-libs and harmonies that reach up to E5 in head voice.
Yes, but you may need to transpose the key. Singing Coach AI allows you to shift the pitch down -3 or -4 semitones to make the chorus accessible for lower voices.
Cracking usually happens when you carry too much "chest weight" up. Practice the chorus in a light head voice first, then slowly add "cry" or "whine" into the tone to build strength.
