Mastering the Bluesy Growl
Taken from his debut self-titled album, "It Will Come Back" is a masterclass in tension and release. Hozier blends folk storytelling with a gritty, blues-rock foundation. The song relies less on acrobatic high notes and more on tone color, rhythmic precision, and the ability to convey a sense of animalistic desperation.
The vocal style here is conversational yet melodic. You need to sound like you are whispering a secret one moment, and shouting a warning the next. Let’s break down the technique.
Phase 1: The Verses (The Shuffle)
The verses sit low in the range (around E2-A2). This can be difficult if you are a Tenor. The key is to keep your larynx neutral. If you press your chin down to "reach" for the low notes, you will lose resonance.
Rhythm is King: The delivery is syncopated. You are singing slightly behind the beat of the guitar shuffle. It creates a lazy, confident vibe. Do not rush the lyrics "You know better babe, you know better babe."
Phase 2: The Pre-Chorus Dynamics
As the song builds ("Don't let me in with no open hand"), the volume must swell. This isn't just louder; it's wider. Engage your diaphragm support to switch from the intimate verse texture to a projecting chest voice.
- Articulation: Hozier often swallows the ends of words to maintain the legato blues feel.
- The Growl: On lines like "Howling outside your door," add a bit of pharyngeal constriction (twang) to create distortion without actually screaming.
Phase 3: The Chorus Belt
The chorus hits a G4 with power. "Don't you hear it howling!" requires a solid belt. Keep your mouth shape vertical (drop your jaw) rather than wide. A smile shape will make the tone too thin for this style of rock; a vertical shape gives you the warm, round resonance Hozier is known for.