A Masterclass in Synth-Pop Phrasing
Little Lies is one of Fleetwood Mac’s most enduring hits from the 1987 album Tango in the Night. Sung by Christine McVie, the track blends acoustic instruments with heavy synthesizer textures. While it doesn't require an extreme vocal range, it demands excellent pitch control and the ability to hold a melody against complex harmonies.
The song operates in E Major (alternating with C# minor contexts in the verse). The challenge is not power, but placement. You need a warm, forward-placed tone that cuts through the electronic mix without sounding harsh.
AI Coach Tip: Watch the Syncopation
The verses are sung with a slightly staccato feel. Many singers drag the ends of phrases like "I meant every word I said." Keep your delivery crisp and rhythmic to match the synth bassline.
Phase 1: The Verses (0:00 - 0:54)
The verses sit in a very comfortable range for most singers (Alto/Mezzo/Tenor). The melody hovers around A3 and B3. The key here is storytelling. Christine McVie’s voice is known for its direct, unpretentious quality.
The Trap: Because the notes are easy to hit, singers often lose energy. Ensure you are supporting your breath so the pitch doesn't sag flat at the end of the lines.
Phase 2: The Chorus (0:54 - 1:30)
This is the most famous part of the song. The lead vocal sings "Tell me lies, tell me sweet little lies," while the backing vocals (originally Lindsey Buckingham and Stevie Nicks) answer with "Tell me, tell me lies."
- Independence: You must stick to the lead melody. It is easy to get distracted by the backing vocals and accidentally jump to a harmony line.
- Tone: The chorus lifts slightly higher. Use a "mixed voice" to keep the sound light but connected. Do not yell.
- Pitch: The "sweet little lies" line has a descending melody that requires precise intonation.
Phase 3: The Bridge and Outro
The bridge maintains the energy of the chorus but strips back some instrumentation. As you head into the outro, the song features ad-libs over the repeating chorus hook. This is your chance to add some personal flair, but keep it within the style—smooth, melodic, and controlled.
When singing the final "Close your eyes," ensure you use a breathy onset to match the atmospheric fade-out of the track.
Frequently Asked Questions
The lead vocal melody reaches a C#5. It is generally sung in a chest-dominant mix, but can be taken in head voice for a softer effect.
Christine McVie sings the lead vocals. The distinctive backing vocals are a blend of Christine, Lindsey Buckingham, and Stevie Nicks.
Yes. The song sits quite low for a Soprano, which is great for developing your lower register (chest voice). If it feels too low, you can transpose it up +2 or +3 semitones in the Singing Coach AI app.
