How to sing Movin’ Out (Anthony’s Song)

Analyze your vocal range against Billy Joel's classic. Get real-time feedback on pitch, timing, and that signature New York attitude.

Album cover for Movin’ Out (Anthony’s Song)

Movin’ Out (Anthony’s Song)

Billy Joel • 1977

COMMUNITY AVG SCORE

72/100

Most users struggle with the 'Heart Attack' speed.

Song DNA

Before you record, know the numbers. This track requires precise rhythmic phrasing and gritty Tenor belts to capture the storytelling style.

Medium
Difficulty
A2 - B4 Vocal Range
Tenor Best Voice Type
D Minor Key Signature
3:30 Duration
Chest/Mix Register

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The Blue-Collar Anthem of 1977

"Movin' Out (Anthony's Song)" is the opening track on Billy Joel's breakthrough album The Stranger. It is a masterclass in character-driven rock vocals. The song tells the story of Anthony, a grocery clerk saving his pennies, and critiques the blue-collar dream of upward mobility.

Vocally, this song demands attitude. It isn't just about hitting the notes; it's about the cynicism and grit in the delivery. You need to balance a conversational verse style with a punchy, driving chorus.

AI Coach Tip: The "Ack-Ack-Ack" Stutter

The line "heart attack-ack-ack-ack-ack" is the song's signature hook. Do not try to sing this legato. Use distinct glottal stops and engage your diaphragm for each "ack" to create a percussive machine-gun effect.

Phase 1: The Verses (Storytelling)

The verses sit in a comfortable range (around D3-A3), but the rhythm is tricky. The bassline drives the song, and your vocals must lock in tight with the snare drum.

The Trap: Many singers drag behind the beat here. Keep your diction crisp—especially on words like "Mama," "Caddy," and "Hackensack." Think of speaking the lyrics on pitch rather than singing a melody.

Phase 2: The Chorus (The Shift)

The energy lifts as the song modulates. The line "Who needs a house out in Hackensack?" requires a brighter tone. This is where you should add a bit of "twang" or nasal resonance to cut through the piano mix.

  • Is that all you get for your money: This descending run needs to be clean. Don't slide (portamento) between notes; hit each one squarely.
  • Movin' Out: The title phrase is often sung with a slight growl or vocal fry at the onset to emphasize the frustration of the character.

Phase 3: The High Belt (Ad-libs)

Towards the end of the song, Billy Joel unleashes some higher belts, reaching up to G4 and eventually a B4. These notes require full chest/mix voice support.

To hit the B4 safely, keep your jaw loose and modify the vowel towards "Ah" or "Uh" rather than a closed "Ee." If you feel tension in your neck, you are pushing too hard. Rely on breath support, not throat constriction.

Frequently Asked Questions

What is the highest note in Movin' Out?

The highest belted chest-voice note is a B4, which occurs during the energetic ad-libs near the end of the track.

What voice type is best for this song?

This is a classic Tenor song, but Baritones with a good upper mix can handle it comfortably. The verses go down to A2, which provides solid ground for lower voices.

How do I get the "New York" sound?

It's all in the vowels. Flatten your vowels slightly (e.g., "Man" becomes "Ee-yan"). The Singing Coach AI app can analyze your vowel formants to help match Billy's style.

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