How to sing Mr. Jones

Analyze your vocal range against Adam Duritz's alternative rock classic. Get real-time feedback on phrasing, tone, and improvisational rhythm.

Album cover for August and Everything After

Mr. Jones

Counting Crows • 1993

COMMUNITY AVG SCORE

74/100

Users struggle with the loose phrasing.

Song DNA

Before you record, know the numbers. This track is defined by its wordy verses and the specific "Baritenor" quality of Adam Duritz.

Medium
Difficulty
G2 - A4 Vocal Range
Baritone Best Voice Type
A Minor Key Signature
4:33 Duration
Chest Register

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Mastering the 90s Alternative Vibe

Mr. Jones is the breakout hit from Counting Crows' debut album, August and Everything After. While it appears straightforward on paper, singing it like Adam Duritz requires a specific set of skills: breath control for wordy verses, a relaxed "speak-singing" technique, and the ability to convey emotion without sounding too polished.

The song is technically in A Minor (relative to C Major), making it accessible for most male voices, but the range extends up to a solid A4 belt in the chorus, which can be tiring if you don't use proper support.

AI Coach Tip: Loosen the Rhythm

Singing Mr. Jones "straight" on the beat sounds robotic. Duritz often sings slightly behind the beat (back-phrasing). Our app tracks your rhythmic alignment—don't be afraid to drag the tempo slightly in the verses.

Phase 1: The Conversational Verse

The verses ("I was down at the New Amsterdam...") are fast and wordy. The key here is diction. You need to enunciate clearly without losing the flow. Treat it almost like spoken word poetry set to music.

The Trap: Running out of breath. Because the lines are long, identify your breath marks early. Take quick "sip" breaths at the commas so you don't gasp before the chorus.

Phase 2: The Chorus Belt

The energy lifts significantly here. The line "Mr. Jones and me" requires a confident chest voice. The highest note hits an A4 on the word "be" in "we all want to be big stars."

  • Vowel Modification: Don't sing a wide "Ee" sound on "me" or "be." Modify it slightly towards "Eh" or "Ih" to keep the throat open and prevent straining on the high notes.
  • Placement: Keep the sound buzzing in the front of your face (mask resonance) to cut through the guitar mix.

Phase 3: The "Sha-la-la" & Ad-libs

The end of the song is pure improv. Duritz is famous for changing the melody live. In the studio version, the "Sha-la-la-la-la" section transitions into a mix of falsetto and chest voice.

To score well here, focus on the "scoops" (glissando). Slide up into the notes rather than hitting them dead-on instantly. This creates that signature yearning sound.

Frequently Asked Questions

What is the highest note in Mr. Jones?

The highest belted note is an A4. There are some falsetto/head voice moments that may touch higher depending on the ad-libs you choose to sing.

Why do I run out of breath in the verses?

The verses are very lyrical and dense. Try practicing the lyrics slowly without the music to map out exactly where you can snatch a quick breath without breaking the flow.

Is this song hard for beginners?

It is intermediate. The notes are accessible, but the style and rhythm are difficult to master. It requires a lot of attitude and confidence.

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