The Essence of Italo-Dance
Eiffel 65 dominated the late 90s and early 2000s with a distinct sound: processed vocals over high-energy beats. "Now Is Forever" captures this perfectly. While it doesn't require an operatic range, it demands incredible rhythmic discipline and tonal control.
Jeffrey Jey, the lead vocalist, uses a style that is almost spoken-word in the verses but melodic in the chorus. The challenge for a human singer is to sound as precise as the electronic instruments surrounding them without sounding lifeless.
AI Coach Tip: Watch Your Vibrato
To get a high score on this track, minimize your vibrato. The original vocal is heavily processed to sound robotic and flat. Sing with a "straight tone" to match the pitch center perfectly.
Phase 1: The Rhythmic Verse
The verses are less about melody and more about rhythm. The key is in the articulation. You need to enunciate clearly and quickly to keep up with the 130+ BPM tempo. Don't drag your notes.
The Trap: Many singers get lazy with their consonants in electronic music. The AI evaluates your timing on the beat. If you are slightly behind, the high-energy backing track will bury your vocals.
Phase 2: The Chorus (The Hook)
The chorus line, "Now is forever," moves into a more sustained melodic line. This sits comfortably in the mid-range (around E3-B3). The contrast between the staccato verse and the legato chorus is what gives the song its dynamic feel.
- Breath Support: The phrases are repetitive and continuous. Plan your breaths so you don't chop the melody in the wrong places.
- Pitch Accuracy: Because the instrumentation is synthesized, it is perfectly in tune. Any deviation in your pitch will be very obvious against the backing track.
Phase 3: The Electronic Style
Unlike rock or soul, you aren't looking for grit or bluesy runs here. You are aiming for a clean, bright, and forward sound. Keep your soft palate raised but keep the sound forward in the mask of your face to cut through the heavy bass and synths.
Frequently Asked Questions
The song generally sits between E3 and G4, making it very accessible for most Baritones and Tenors without straining.
Focus on "straight tone" singing. Eliminate vibrato and try to hit the note exactly in the center immediately, rather than sliding up to it.
Ideally, no. The range is small. The difficulty comes from the speed and the need for rhythmic precision.
