The Art of the "Old Razzle Dazzle"
Razzle Dazzle is the defining anthem of Billy Flynn, the slick lawyer in Kander & Ebb's Chicago. While the notes themselves aren't excessively high, the challenge lies in the delivery. It requires the confidence of a ringmaster and the smooth vocals of a crooner.
Performed by Richard Gere in the 2002 film adaptation, the song sits firmly in a Baritone range (A2-F4). To score well on this track, you must balance sung melody with "Sprechstimme"—a vocal technique between speaking and singing.
AI Coach Tip: Smile While Singing
To get that bright, vaudeville tone, lift your soft palate and smile while you sing. This brightens the resonance and helps with the "insincere charm" character voice required for Billy Flynn.
Phase 1: The Courtroom Setup (0:00 - 1:15)
The song begins with a slow, deliberate tempo. The lyrics "Give 'em the old Razzle Dazzle" should be delivered almost conversationally. Avoid adding too much vibrato here.
The Trap: Many singers get lazy with diction here. In musical theatre, the audience needs to hear every consonant. Ensure your T's and K's are crisp on words like "sight," "mind," and "fake."
Phase 2: The Vaudeville Chorus (1:15 - 2:45)
As the tempo picks up, bring more chest resonance into the mix. You are now "performing" for the jury. The energy should shift from intimate to projection.
- Rhythmic Precision: The jazz swing feel is essential. Don't sing straight eighth notes; lean into the triplet feel.
- Dynamics: build volume on the ascending lines "How can they hear the truth above the roar?"
- Glissandos: Use tasteful slides between notes to mimic the brass instruments in the orchestra.
Phase 3: The Big Finish (2:45 - End)
The final section requires breath support. The last belt on "Razzle Dazzle 'em" hits a sustained F4. While not incredibly high, holding it with power after a 3-minute dance break (or vocal workout) is tiring.
Engage your diaphragm and think of the sound going forward, out of your mouth, rather than up into your head. A wide, confident vibrato at the very end will boost your style score significantly.
Frequently Asked Questions
Richard Gere hits a sustained F4 in the finale. However, ad-libs in the ensemble tracks can reach higher.
Yes. The limited range makes it accessible, allowing beginners to focus on acting, timing, and breath control rather than straining for high notes.
Focus on a breathy, relaxed tone in the verses and switch to a brighter, "nasal" placement for the chorus. It's about charm, not perfection.
