How to sing Run

Analyze your vocal range against Leona Lewis's powerhouse ballad. Get real-time feedback on breath control and belting.

Album cover for Run by Leona Lewis

Run

Leona Lewis • 2008

COMMUNITY AVG SCORE

72/100

Most users struggle with breath support.

Song DNA

Before you record, know the numbers. This track requires immense stamina and the ability to transition from a whisper to a full belt.

Hard
Difficulty
F#3 - A5 Vocal Range
Soprano Best Voice Type
A Major Key Signature
5:14 Duration
Belt/Mix Register

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A Masterclass in Vocal Dynamics

Leona Lewis's cover of Snow Patrol's "Run" transformed an indie rock anthem into a soulful, gospel-inspired ballad. It is widely considered one of the most challenging songs to sing due to the sheer lung capacity required. The song starts with a delicate, almost whispered delivery and builds to a massive, choir-backed climax.

To sing "Run" effectively, you must treat your voice like a dimmer switch, not an on/off button. The emotion comes from the gradual build-up, not just the loud notes at the end. Let's break down the technique.

AI Coach Tip: The "Light Up" Vowel

When belting "Light Up" in the final chorus, don't use a wide "Ah" sound. Modify the vowel to a narrower "Uh" (as in 'cup') to keep the larynx stable while hitting the A5. This prevents straining.

Phase 1: The Intimate Verses (0:00 - 1:30)

The song begins in a lower register (around F#3). Leona uses a breathy tone here to convey vulnerability. The line "I'll sing it one last time for you" should be delivered with very little cord closure.

The Trap: Because the beginning is quiet, singers often perform it "lazily" without breath support. You actually need more air support to maintain pitch stability at low volumes.

Phase 2: The Build-Up (1:30 - 3:15)

As the first chorus enters, you shouldn't be at full volume yet. This is a "mezzo-forte" section. Keep the placement forward in the mask (the front of the face) but don't push the chest voice too hard. Save your energy.

  • Phrasing: The lines are long. "To be with you is all that I choose" requires a single, sustained breath. Practice inhaling deeply into your lower back before this line.
  • Connection: Ensure a smooth bridge between your chest voice and your mix as you ascend to the C#5s.

Phase 3: The Climax (3:15 - End)

The final chorus is where the song explodes. The choir enters, and Leona unleashes a full resonant belt. The ad-libs reach up to A5.

To survive this section, you must engage your pelvic floor muscles and anchor your body. Do not reach up for the high notes; think of landing "down" on them. The emotional impact here comes from the contrast with the quiet beginning.

Frequently Asked Questions

What is the highest note in Run?

In Leona's version, the core melody hits a sustained F#5, but her ad-libs and belts reach up to a powerful A5 in the final crescendo.

Is this harder than the Snow Patrol version?

Vocally, yes. The Snow Patrol original stays in a lower, more conversational range. Leona's version requires significantly more range and belting technique.

How do I hold the long notes without shaking?

Vocal shake (tremolo) usually means you are running out of air. Practice "far-calls"—pretending you are calling to someone across a field—to engage your diaphragm correctly.

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