The Heart of Hamilton
"Satisfied" is arguably the most complex song in Lin-Manuel Miranda's Hamilton. Performed by Angelica Schuyler, it retells the events of "Helpless" from a different perspective, blending a wedding toast, a rewind in time, and an internal monologue of regret. It demands the vocal versatility of an R&B diva and the flow of a top-tier rapper.
To sing this well, you need to master three distinct modes: the formal speech (The Toast), the aggressive flow (The Rap), and the emotional belt (The Chorus). Let's break down the strategy.
AI Coach Tip: Breath Marks
The rap section ("Ben Franklin with the key and the kite") is relentless. Plan your breaths before you start singing. Our app highlights exactly where to catch a "sip" of air without breaking the flow.
Phase 1: The Toast & The Rewind (0:00 - 1:15)
The song starts in a speech-level register. You are addressing a crowd. Keep the tone warm and controlled. When the "Rewind" happens, the rhythm changes instantly.
The Trap: Don't rush the transition. The "Rewind" section is musically chaotic, but your vocals must remain grounded until the beat drops for the flashback.
Phase 2: The Rap Flow (1:15 - 3:00)
This is the test of your diction. The lyrics move at lightning speed, detailing Angelica's meeting with Hamilton.
- Consonants: Over-articulate your T's and K's to cut through the music.
- Dynamics: Don't shout the rap. Keep it conversational but intense. The power comes from the rhythm, not the volume.
- Pitch: Even though it's rap, there is a melodic contour. Ensure you aren't going flat on the end of phrases like "intelligence" or "irrelevant."
Phase 3: The Belt (4:20 - End)
The climax of the song ("To the Groom! To the Bride!") requires a switch to a powerful mixed belt. The final sustained notes on "Satisfied" reach an E5.
To hit this, lift your soft palate (as if suppressing a yawn) and anchor your breath low. If you squeeze your throat, the high note will sound thin and screechy. Aim for a "cry" quality in your voice to convey the heartbreak.
Frequently Asked Questions
The main vocal line belts up to an E5 on the final "Satisfied." Ad-libs and harmonies can go higher depending on the arrangement.
Practice "catch breaths." These are quick, silent inhales through the mouth. Singing Coach AI identifies the 16th-note rests where you can sneak these in.
Yes. Renée Elise Goldsberry is a Mezzo-Soprano. The low notes (G3) are very rich, making it perfect for lower voices who have developed their upper belt.
