A Psychedelic Masterpiece
Released on the 1967 album Their Satanic Majesties Request, "She’s a Rainbow" is a departure from The Rolling Stones' gritty blues-rock roots. It features a baroque pop arrangement, led by Nicky Hopkins' iconic piano intro and Mick Jagger's whimsical vocal delivery.
To sing this song effectively, you need to capture the playful, almost innocent vibe without losing pitch accuracy. The track alternates between a conversational chest voice in the verses and a bright, resonant chorus, interspersed with high falsetto hooks.
AI Coach Tip: Bright Vowels
Jagger uses very "forward" placement on this track. When singing "colors," smile slightly to brighten the vowel sound. This helps cut through the dense orchestral arrangement.
Phase 1: The Verses (0:52 - 1:16)
The verses are sung in a relaxed, mid-range chest voice. The melody is simple, but the rhythm is key. Jagger sings slightly behind the beat in a conversational style.
The Trap: Don't try to sing this too aggressively. This isn't "Satisfaction." Keep your volume moderate and focus on the storytelling aspect of the lyrics.
Phase 2: The Chorus (1:16 - 1:40)
Here, the melody lifts. The line "She comes in colors everywhere" requires good breath support. You want a consistent, legato line. The key is B Flat Major, so ensure you are hitting the Bb securely without sliding up to it.
Phase 3: The "Ooh La La" Section
This is the technical highlight of the song. The "Ooh, la, la, la" backing vocals (often sung along to) and Jagger's ad-libs require a switch to head voice or falsetto.
- The Transition: Keep your throat open and flip into your head voice lightly. Do not push chest voice up here or it will sound like shouting.
- Pitch Accuracy: These notes are high (touching Bb4/C5 range in the harmonies). Use the AI Coach to visualize if you are hitting the center of the pitch.
Frequently Asked Questions
The main vocal line stays mostly within the F3 to Eb4 range in chest voice, but the falsetto "Ooh" sections and harmonies reach up to Bb4 and C5.
It is in B Flat Major (Bb Major). This gives the song its warm, yet bright and cheerful character.
Yes, the verses are very accessible for Baritones. For the high "Ooh la la" parts, you can either develop your falsetto or sing them an octave lower for a different feel.
