Mastering the Pop-EDM Crossover
Released in 2017, "Stay" is a masterclass in modern pop vocals. While it doesn't feature operatic acrobatics, it presents a unique challenge: blending the casual, rhythmic "talk-singing" style of the verses with the soaring, emotional release of the chorus.
To sing this like Alessia Cara, you need to master your lower register. The song sits comfortably in the chest voice for Mezzo-Sopranos and Altos, but Sopranos may find the verses surprisingly low (down to F3). Let's break down the technique.
AI Coach Tip: Rhythmic Precision
The verses are syncopated. Many users rush the line "Waiting for the time to pass you by." Practice this section with a metronome at 75% speed to lock in the groove before speeding it up.
Phase 1: The Verses (Low & Breathy)
The song begins in a lower register. The key here is to maintain a "conversational" tone. You don't need heavy projection yet.
The Trap: Because the notes are low (F3-Bb3), singers often lose breath support, causing the voice to sound fry-like or weak. Engage your diaphragm gently to keep the tone spun and audible, even at low volumes.
Phase 2: The Pre-Chorus Build
As the lyrics move to "I know you know we know," the pitch begins to rise. This is your ramp. You need to transition from that breathy verse texture into a cleaner, more forward sound.
- Volume: Increase dynamics gradually. Don't give 100% yet.
- Resonance: Shift the vibration from your chest to your "mask" (the front of your face) to prepare for the chorus.
Phase 3: The Chorus ("All you have to do is...")
Here comes the hook. The line "All you have to do is stay" jumps to a C5. This isn't a head voice note; it requires a strong chest mix or belt.
To hit this without straining, think of the vowel shape. Modify the "A" in "Stay" slightly towards "Eh". This narrows the vowel and makes it easier to sustain the belt without your larynx rising uncomfortably high.
Frequently Asked Questions
The main melody hits a strong C5 on the word "Stay." There are ad-libs that may go higher, but the core range tops out there.
Yes. The range is manageable (F3-C5), making it excellent for practicing breath control and rhythm without needing an extreme vocal range.
Try smiling slightly while singing the low verses. This lifts the soft palate and adds brightness to the tone, helping it cut through the mix even at a low pitch.
