The Soul of Modern Blues
Released on his debut album in 2014, "To Be Alone" is a brooding, rhythmic masterpiece that showcases Hozier's unique blend of Delta blues and indie rock. Unlike standard pop songs, this track relies heavily on "feel," groove, and a dark, resonant vocal timbre. It’s not just about hitting the notes—it’s about sliding into them with the right amount of grit.
To sing this well, you need to master your lower register and understand how to switch into a powerful belt without losing that haunting quality. Let's break down exactly how to tackle it, section by section.
AI Coach Tip: Relax the Jaw
Many singers tighten their jaw to achieve Hozier's "dark" sound, but this kills resonance. Keep your jaw loose and drop your tongue floor to create that warm, cavernous sound naturally.
Phase 1: The Low Verses (0:00 - 1:15)
The song begins in a low, almost conversational register. The challenge here is the key of E Minor and the low E2 notes. Hozier sings these with a lot of chest resonance.
The Trap: Singers often try to "push" these low notes to make them louder. This causes the voice to bottom out and crack. Instead, reduce your volume and focus on a "buzzy" feeling in your chest bone. Let the microphone do the work for volume.
Phase 2: The Pre-Chorus Groove (1:15 - 1:45)
The rhythm picks up here ("It feels good, girl, it feels good..."). This section requires excellent rhythmic precision. You are singing slightly behind the beat (back-phrasing) to give it that lazy, bluesy feel.
- Consonants: Hozier softens his consonants here. Don't over-enunciate, or you will kill the vibe.
- Breath Control: The lines are long and wordy. Take deep, low breaths from the diaphragm between phrases.
Phase 3: The Chorus Wails (1:45 - 2:30)
This is the emotional peak. Hozier slides up to higher notes with a "wailing" quality. The line "God, it feels good to be alone with you" requires a mix of power and release.
To achieve this sound, use a technique called "cry-like" phonation. Imagine the feeling of a whimper or a cry; this tilts the thyroid cartilage and allows you to access higher notes with a thick, soulful tone without straining your vocal cords.
Frequently Asked Questions
In full chest/mix, Hozier hits around a G4. However, in falsetto and ad-libs, he reaches up to a B4.
Yes, but the low verses might be quiet. Tenors should focus on microphone technique for the low E2s, or transpose the song up +2 semitones in the Singing Coach AI app.
The "rasp" should come from false cord engagement, not squeezing your throat. If it hurts or tickles, stop immediately. Practice the "fry" sound gently first.
