How to sing To Break in a Glove

Analyze your storytelling and pitch against this Broadway classic. Get real-time feedback on phrasing and character dynamics.

Cover art for To Break in a Glove

To Break in a Glove

Michael Park & Ben Platt • 2017

COMMUNITY AVG SCORE

72/100

Most users struggle with the conversational timing.

Song DNA

This track is less about hitting high belts and more about character acting and precise rhythm. It is a masterclass in the father-figure Baritone voice.

Medium
Difficulty
A2 - G4 Vocal Range
Bari/Tenor Best Voice Type
F Major Key Signature
3:49 Duration
Speech-Mix Register

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A Lesson in Patience and Phrasing

"To Break in a Glove" is a pivotal moment in Dear Evan Hansen where Larry Murphy bonds with Evan over the meticulous process of preparing a baseball glove. Unlike power ballads, this song demands restraint, impeccable diction, and a warm, conversational tone.

Whether you are singing Larry's part (Baritone) or Evan's (Tenor), the challenge lies in blending speech with singing. The song structure mimics a lesson—instructive verses leading to a unified philosophy in the bridge.

AI Coach Tip: Watch the Rhythm

The verses rely heavily on eighth notes that mimic natural speech patterns. Don't rush. Sit on the back of the beat to capture Larry's patient, methodical personality.

Phase 1: The Instruction (Larry's Verses)

Larry sings in a comfortable Baritone range (A2 to D4). The lines "It's shaving cream / And then you rub it in" must be sung with a 'chest mix'. You aren't just singing notes; you are giving instructions.

The Trap: Many singers make this sound too melodic. Keep it dry and factual. Visualize yourself actually rubbing oil into leather as you sing to maintain the right tempo and weight.

Phase 2: The Hesitation (Evan's Interjections)

Evan's responses are pitched higher, often starting on middle C or D. Where Larry is grounded, Evan is light and heady. This contrast creates the character dynamic.

  • Breath Control: Evan's lines are often shorter and more breathless to show anxiety.
  • Placement: Keep the sound in the 'mask' (nose and cheekbones) to differentiate from Larry's chest resonance.

Phase 3: The Philosophy (Bridge & Coda)

The song culminates in the lesson: "And whether you're breaking a glove / Or a promise..." Here, the vocals open up. The instructional tone shifts to a soaring, emotional delivery.

The final belt on "It's the hard way, but it's the right way" hits a G4. It needs to be strong but not shouted. Use your diaphragm support to sustain the note without tightening the throat, symbolizing the strength of the character.

Frequently Asked Questions

What is the highest note in To Break in a Glove?

The highest belted note is a G4 (Larry/Evan unison). There are falsetto/mix moments that may touch slightly higher depending on ad-libs, but G4 is the core peak.

Is this song a duet or solo?

It is written as a duet, but it is frequently performed as a solo cabaret piece (usually Larry's part). The AI Coach app allows you to sing either role or the solo arrangement.

How do I get that "Broadway Baritone" sound?

Focus on "tall vowels." Drop your jaw vertically rather than spreading your lips wide. This creates a richer, darker resonance suitable for Larry's character.

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