Rhythm Over Range
Released on A Brief Inquiry into Online Relationships, "TOOTIMETOOTIMETOOTIME" is a tropical house-infused synth-pop track that presents a different kind of challenge for singers. Unlike power ballads, this song doesn't demand high belting. Instead, Matty Healy delivers the lyrics with a conversational, almost throwaway quality that is rhythmically precise.
The key to nailing this song is understanding the interplay between the digital aesthetic (the heavy use of Auto-Tune on the original recording) and the organic delivery of the lyrics.
Phase 1: The Verses (Conversational Tone)
The verses are sung in a mid-range chest voice. The lyrics deal with digital infidelity and messy relationships, and the delivery should reflect that—casual and slightly detached.
The Trap: Singers often try to "perform" these lines too much. The melody is simple. Focus on the pocket of the beat. You should feel like you are talking in pitch rather than singing an aria.
Phase 2: The Chorus (The Hook)
The repetition of "I only called her one time / Maybe it was two times?" is the earworm. The pitch jumps slightly, but stays comfortably within the staff (around C#4 to F#4).
- Diction: Matty Healy has a unique way of slurring words while keeping the rhythm tight. Don't over-enunciate. Let the words flow into each other.
- Consistency: The energy needs to remain flat (in a good way) and consistent. Don't crescendo too much; keep it cool and contained.
Phase 3: The Bridge
The song breaks down slightly, but the vocal approach remains similar. The challenge here is maintaining breath support while delivering the rapid-fire lines about "texting" and "calling." Keep your diaphragm engaged so you don't run out of air before the end of the phrase.