Mastering the Synth-Pop Falsetto
Released in 2008, "Walking on a Dream" became an instant anthem for the synth-pop revival. Empire of the Sun frontman Luke Steele utilizes a very distinct vocal texture that sits somewhere between a 70s glam rock vibe and modern indie pop. The challenge isn't necessarily the range—which is moderate—but the placement of the sound.
Steele's voice is bright, piercing, and often nasally. To sing this well, you need to abandon the "chest-thumping" rock technique and focus on head resonance and "twang." Let's break down the vocal roadmap.
AI Coach Tip: The "Mask" Placement
Steele sings very forward in the "mask" (the area around the nose and eyes). To practice this, hum a "Ng" sound (like in "sing") before singing the verses. This brings the vibration forward and prevents a muddy tone.
Phase 1: The Verse Groove
The verses ("We are always running for the thrill of it") are sung staccato. You want short, clipped phrasing. The notes sit comfortably in the middle register for most males, but pay attention to pronunciation. Steele tends to flatten his vowels, giving the track its unique indie flavor.
The Trap: Don't slur the words. The rhythm of the vocals needs to lock in tight with the bass guitar. Precision is key here.
Phase 2: The Falsetto Chorus
The hook "Walking on a dream, how can I explain" shifts into a higher register. While a strong tenor might mix this, the stylistic choice is to lean into a reinforced falsetto or a light head voice.
- Airiness: Unlike a rock belt, this section needs to feel airy and dreamlike. Keep the volume controlled.
- The High Note: The melody floats around F4 and A4. If you push too much chest voice, you will sound too heavy for the genre. Keep it light.
- Pitch Accuracy: Because the falsetto is exposed, pitch drift is common. The AI Coach monitors sustain stability here.
Phase 3: The Bridge Build
The section "Catch me I'm falling down" requires more breath support. The notes are held longer than in the verse. Ensure you are taking low, diaphragmatic breaths before these lines so you don't run out of air and go flat at the end of the phrase.
This is the moment to blend your chest and head voice. You want the warmth of the chest voice but the brightness of the head voice to cut through the increasing synth layers.
Frequently Asked Questions
The chorus leans heavily on falsetto or a very light head-voice mix to achieve that ethereal sound. The verses are generally sung in a brighter chest voice.
The lead vocal melody tops out around A4, though there are higher harmonies in the backing tracks. It is accessible for most Tenors and Baritones who have developed their head voice.
Focus on "twang" and nasal resonance. Try smiling slightly while singing the verses to brighten the tone naturally.
