Mastering the Indie-Pop Anthem
Released on their 2013 album Spreading Rumours, "Ways to Go" is a definitive indie-pop hit known for its infectious synth lines and manic vocal delivery. Christian Zucconi and Hannah Hooper share vocal duties, making this track unique for its blend of gritty chest voice and light, playful falsetto.
The song is energetic and bouncy. To sing this well, you need to match the rhythmic precision of the synthesizer while maintaining a relaxed throat to handle the sudden jumps in pitch. Let's break down exactly how to tackle it, section by section.
AI Coach Tip: Breath Support
The verses are delivered in a rapid-fire style ("I've got a little bit longer..."). Our analysis shows users often run out of breath here. Take small, quick "sip" breaths between phrases to maintain pressure.
Phase 1: The Rhythmic Verse (0:00 - 0:45)
The song begins in B Major. The delivery here is almost spoken, sitting in a comfortable mid-range for Tenors. The challenge is the "staccato" nature of the singing.
The Trap: It is easy to slur words together. Keep your diction crisp. Focus on the consonants to give the vocals a percussive feel that locks in with the drum beat.
Phase 2: The Pre-Chorus (0:45 - 1:00)
The intensity builds with the repeated line "Oh my my, oh my my." This requires a gradual crescendo. You want to start softer and open up your resonance as the line repeats.
- Oh my my: Keep the vowels tall and open. Do not spread your mouth wide, or the tone will thin out too much.
- The Transition: Prepare for the jump in energy leading into the chorus. Engage your diaphragm here.
Phase 3: The Chorus Hook (1:00 - 1:30)
The chorus "I've got a ways to go!" is the emotional peak. Christian Zucconi uses a unique vocal technique that sits right on the edge of his "break."
For the high "Oooh" sounds and backing vocals, you must switch cleanly into falsetto (head voice). If you try to belt these notes in full chest voice, you risk straining. The stylistic "cracks" in the voice are part of the charm, so don't worry about being too polished—aim for energy and emotion.
Frequently Asked Questions
The main chest voice melody hits a B4, but the falsetto backing vocals and ad-libs reach up to an E5.
It is moderately difficult due to the speed and energy required. However, the range is accessible for most singers if you utilize your falsetto correctly.
Christian Zucconi has a slightly nasal, bright tone. Try placing your resonance forward in the "mask" of your face (around the nose and cheekbones) to mimic his indie-rock timbre.
