Mastering the "Chill" Aesthetic
Released on the Suncity EP, "Better" is quintessential Khalid: laid-back, emotive, and heavily reliant on tone texture. Unlike power ballads that require full diaphragmatic support for high belts, this song challenges you to maintain control at lower volumes.
The song sits comfortably in a Baritone/Tenor range, but the real difficulty lies in the transitions. You need to sound conversational in the verses but switch to a light, airy mix for the chorus without losing the "groove."
AI Coach Tip: Watch the Vocal Fry
Khalid often uses 'vocal fry' (a creaky, low sound) at the start or end of phrases for style. The AI detects if you are overdoing this, which can sound pitchy. Use it sparingly for texture, not as a crutch.
Phase 1: The Verse (0:00 - 0:45)
The verses are sung in a speaking range (G2-D4). The key here is diction and rhythm. The lyrics come fast but must sound relaxed.
The Trap: Because it feels like talking, singers often go flat on notes at the end of sentences. Keep your breath support active even when singing quietly to maintain pitch accuracy on the lower notes.
Phase 2: The Chorus (0:46 - 1:20)
The hook "Nothing feels better than this" requires a lift in energy but not necessarily volume. The melody floats around A4 and touches C5 in the harmonies.
- The Slide: There are subtle slides (portamento) between notes. Don't hit the notes too squarely; let them glide into each other.
- Head Voice: For the higher ad-libs, switch to a breathy head voice. If you try to belt these notes with full chest voice, you'll lose the song's relaxed vibe.
- Rhythm: The chorus sits 'in the pocket.' Practice singing slightly behind the beat to achieve that soulful R&B feel.
Phase 3: The Bridge & Outro
The song opens up here for vocal runs. Khalid is a master of simple, effective pentatonic runs. The goal isn't speed, but precision.
Practice the "Ooh" vowels with a rounded mouth shape. This darkens the tone and keeps it sounding warm rather than piercing.
Frequently Asked Questions
The lead vocal touches a C5 in mixed voice/falsetto, but the main chest voice melody generally stays below A4.
Yes. The range is accessible for most male voices and low female voices. It is excellent for practicing breath control and dynamics without straining.
Relax your jaw and allow more air to flow through the cords (breathy tone). Avoid sharp, staccato articulation; aim for legato, connected phrasing.
