Mastering the "Wiped Out!" Vibe
Released on The Neighbourhood's 2015 album Wiped Out!, "Cry Baby" is a masterclass in atmospheric alternative pop. Unlike a standard pop song, it blends quick, hip-hop influenced verses with a soaring, melodic chorus. The challenge here isn't just hitting the notes—it's maintaining the "cool" while navigating complex rhythms.
Jesse Rutherford's performance is all about attitude. He uses a lower chest register for the verses and climbs into a powerful mix for the hooks. Let's break down exactly how to tackle it, section by section.
AI Coach Tip: Watch Your Breathing
The verses are word-dense ("I think I talk too much..."). Our analysis shows users often run out of air before the phrase ends. Practice "sip breathing"—taking quick, silent breaths between lines—to maintain the flow without breaking the rhythm.
Phase 1: The Verses (Rhythmic Flow)
The song kicks off with a rapid delivery. The key here is articulation without losing the laid-back feel. The notes hover around F3 and G3.
The Trap: Because the delivery is fast, singers often slur their words. Focus on crisp consonants (T's and K's) to keep the rhythm tight against the beat. Think of it more as melodic percussion than traditional singing.
Phase 2: The Chorus (The Hook)
The energy lifts significantly here ("I know I'll fall in love with you baby..."). The melody jumps up, requiring a solid chest-mix voice.
- Resonance: Keep the sound dark and "covered." Avoid a bright, nasal tone. It should feel round and moody.
- Dynamics: Don't shout. Use volume to emphasize the word "love" and "baby," but pull back slightly on the connective words to create a dynamic wave.
- Range: The highest notes here touch C5 in harmonies, but the main melody sits comfortably for Tenors and high Baritones.
Phase 3: The Bridge & Outro
The song breaks down into a dreamy, atmospheric section. This is where you can use more breathy textures. Switch to a headier mix to contrast with the heavier chorus. The emotional delivery is key here—it should sound vulnerable.
Be careful with the final ad-libs; they require sliding between notes (portamento) rather than hitting them staccato.
Frequently Asked Questions
The lead vocal generally tops out around C5 in the mix/falsetto sections, though the main belted notes in the chorus sit around Bb4.
Jesse is typically classified as a Baritone with a very versatile upper range, allowing him to sing comfortable lows and energetic highs.
Lower your larynx slightly to create a darker sound, and don't smile while singing. Keep the mouth shape vertical rather than horizontal.
