Sass, Rhythm, and Attitude
Released in 2014 on her debut album Title, Meghan Trainor's "Lips Are Movin" is a modern doo-wop anthem that demands more than just hitting the notes—it demands character. Unlike a ballad where you can sustain long vowels, this track is all about percussive consonants and rhythmic precision.
To sing this well, you need to channel your "inner diva." The vocal line sits comfortably in a chest-dominant mix, but the challenge lies in the speed of the delivery and maintaining breath support while dancing through the melody. Let's break down exactly how to tackle it.
Phase 1: The Rhythmic Verses
The verses in "Lips Are Movin" are almost conversational, sung in a "speak-singing" style. The key is G Major, but the melody hovers around the G3 to G4 range.
The Trap: Running out of air. Because the words come so quickly, you don't have time for deep breaths. Practice "sip breathing"—taking tiny, quick breaths at punctuation marks without disrupting the flow.
Phase 2: The Doo-Wop Chorus
This is the hook: "If your lips are movin', if your lips are movin'..." It requires a brighter tone color. You need to use "twang" (narrowing the epiglottis) to get that piercing, sassy sound that cuts through the bass-heavy mix.
- Placement: Keep the sound forward, right behind your nose/teeth. Do not swallow the sound.
- The "Lyin'" Note: On "then you're lyin', lyin', lyin', baby," emphasize the downward slide. It adds to the playful, scolding attitude of the song.
Phase 3: The Ad-Libs & Bridge
Towards the end, Meghan throws in higher belts (up to C5) and shouts ("Hey!"). These need to be supported from the diaphragm, not the throat. If you feel a tickle or scratchiness, you are pushing too hard from your neck muscles.
Focus on the "bouncy" feel of the track. If you sing it too straight or legato, it loses its charm. Treat your voice like a percussion instrument.