A Masterclass in Soulful Pop
Released as a standalone single in 1982 following the massive success of "Do You Really Want to Hurt Me," Time (Clock of the Heart) solidified Boy George as a premier vocalist. Unlike high-energy rock tracks, this song demands restraint, impeccable phrasing, and a warm, resonant tone.
To sing this well, you need to channel a "conversational" style. The melody is smooth and rarely jumps aggressively, but maintaining the emotional tension throughout the verses requires excellent breath support and a relaxed larynx. Let's break down the technique.
AI Coach Tip: Watch the Groove
Boy George sings slightly behind the beat (layback) to create a soulful feel. Our analysis shows users often rush the phrase "Don't put your head on my shoulder." Relax and let the bassline lead.
Phase 1: The Verses (Warmth & Breath)
The song opens in Eb major. The opening lines "Don't put your head on my shoulder / Sink me in a river of tears" sit in a comfortable mid-range. The goal here is a breathy, intimate texture.
The Trap: Because the range is easy, singers often get lazy with their pitch. Ensure you are hitting the center of the note, especially on the descending melody lines. Keep your soft palate lifted to add warmth.
Phase 2: The Chorus (Rhythmic Precision)
The hook "Time is like a clock in my heart" is iconic. Notice the staccato nature of the word "Time" compared to the legato flow of the rest of the line.
- Rhythm: The phrasing is syncopated. You need to lock in with the drums.
- Dynamics: Swell slightly on "heart" to mimic the beating sensation described in the lyrics.
- Tone: Shift from the breathy verse tone to a slightly more focused, forward placement here.
Phase 3: The Bridge & Ad-libs
The section "Oh, I've known you for a long time" introduces more melodic movement. This is where you can show off your upper chest register (up to roughly F4). Avoid shouting; keep it smooth and "crooner-like."
Towards the outro, the ad-libs allow for some vocal runs. Keep them simple and pentatonic. Less is more in this genre.
Frequently Asked Questions
The lead vocal generally stays below an F4 in chest voice. It is a very accessible song for Tenors and Baritones, focusing more on tone than high range.
This is often described as "Blue-eyed Soul" or New Wave Soul. It borrows heavily from Motown vocal techniques but applies them to 80s pop production.
Yes! This song actually sounds fantastic in a lower register. If the original key of Eb is too high, you can transpose it down -2 semitones in the Singing Coach AI app.
