The Art of Gentle Control
"Ben" was Michael Jackson's first solo #1 hit, recorded when he was just a teenager. Unlike his later rhythmic pop hits, this is a tender, slow-moving ballad that exposes every nuance of the voice. The challenge isn't hitting extremely high notes with power, but rather maintaining stability and emotional sincerity in the upper register.
To sing this well, you need to abandon the "belt" and embrace your head voice. The song requires a seamless connection between your lower speaking voice and your lighter upper range. Let's break down exactly how to tackle it, section by section.
Phase 1: The Soft Verse (0:00 - 0:45)
The song starts in F Major. The opening line "Ben, the two of us need look no more" should be sung with a soft onset. Avoid attacking the word "Ben" too hard.
The Trap: It's easy to go flat here because the energy is low. Keep your soft palate raised (as if you are suppressing a smile) to keep the pitch sharp and the tone bright, mimicking the youthful resonance MJ had.
Phase 2: The Emotional Build (0:45 - 1:30)
As the song progresses into "I used to say, I and me," the melody climbs. This is the transition point. You should not be pulling your heavy chest voice up here.
- Resonance: Shift the vibration from your chest to your "mask" (the front of your face). This gives you that piercing, clear quality.
- Vowels: Modify your vowels. On the word "me" or "us," think of a tall, narrow shape to facilitate the higher pitch without strain.
Phase 3: The Climax and Vibrato (1:30 - End)
The final chorus requires more volume but maintained sweetness. When MJ sings the final sustained "Ben," notice his vibrato. It is a "terminal vibrato"—the note starts straight and the vibrato comes in at the very end.
To achieve this, hold the note steady with good support, then gently relax the throat to let the natural shimmer of the voice come through for the last second of the phrase.