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Song guide

How to sing Coming Up (Live At Glasgow)

Analyze your vocal energy against Paul McCartney's #1 hit. Get real-time feedback on rhythm, pitch, and stamina.

Coming Up (Live At Glasgow) by Paul McCartney And Wings
Coming Up (Live At Glasgow)Paul McCartney And Wings · 1980
Before you sing

Song DNA

Medium Difficulty
E3 - A4 Vocal Range
Tenor Best Voice Type
E Major Key Signature
3:51 Duration
Chest Mix Register

The Live Track That Became #1

While the studio version of "Coming Up" was a quirky electronic experiment, the live version recorded at Glasgow in 1979 transformed the song into a funk-rock powerhouse. It was so well-received that it became the preferred radio hit in the US, hitting #1 on the Billboard Hot 100.

To sing this track effectively, you need to abandon the polished, smooth approach. This performance is about grit, rhythmic "pocket," and maintaining high energy without running out of breath.

Phase 1: The Staccato Verses

The verses ("You want a love to last forever...") sit in a comfortable mid-range (E3-E4). The challenge here isn't pitch; it's style. You should clip the ends of your words.

The Trap: Do not slur the words together. If you sing this legato (smoothly), the song loses its funk feel. Keep your jaw loose but your articulation sharp.

Phase 2: The Chorus Chant

The chorus ("Coming Up!") is essentially a chant. It repeats constantly, which can be fatiguing for the voice. You need to rely on your diaphragm support rather than throat tension.

  • Placement: Keep the sound forward in the "mask" of your face. This brighter tone helps cut through the heavy bass and drums.
  • Breath: Take quick, low breaths ("sipping" air) between the lines to stay oxygenated without disrupting the groove.

Phase 3: The "Paul" Energy

As the song progresses, Paul introduces his signature vocal mannerisms—whoops, yeahs, and gritty ad-libs that push toward G#4 and A4.

To achieve this grit safely, utilize "twang" (narrowing the epiglottis) rather than pushing air harder. This gives you that rock-and-roll distortion without causing vocal nodules or hoarseness.

Questions answered

Frequently asked questions

What is the highest note in Coming Up (Live)?
The core melody hits a belted A4, but Paul throws in several falsetto whoops and screams that go higher. The highest sustained chest mix note is generally around G#4/A4.
How is this different from the studio version?
The studio version is slower and uses a "chipmunk" vocal effect. The Glasgow live version is played by the full Wings band, is faster, and features Paul's natural rock voice.
Is this song hard to sing?
It is moderately difficult due to the stamina required. There are very few breaks in the vocals, so learning where to breathe is the key to finishing the song strong.
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