Miley Cyrus’ vocal range: G2–G#5 (mezzo-soprano)
Husky rock-and-pop mezzo with country roots. Miley Cyrus’ range is commonly cited as roughly G2 to G#5, about about 3 octaves. Estimates are compiled from studio recordings and live performances, so treat the exact edges as approximate.
Miley Cyrus’ commonly cited range on the keyboard
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The voice
Miley Cyrus is a mezzo-soprano with a commonly cited range of roughly G2–G#5, about three octaves. The signature is the timbre: a husky, slightly worn lower register, a country-inflected twang on open vowels, and a belt that has grown darker and more rock-and-roll with each album. Where the Disney-era records stayed bright and high, Plastic Hearts and Flowers lean on a rich E3–A3 low end and a raspy chest voice that would not sound out of place on a Stevie Nicks record.
The good news for cover singers is that most of her songs live in a modest E3–E5 window. The harder part is the grit. Her rasp comes from a naturally husky voice and years of touring, and forcing it will only leave you hoarse; sing the melody clean, add a little speech-like edge on the emphasised words and let the low notes speak rather than growl. Wrecking Ball and The Climb are the belt tests; keep the chorus notes around C5–D5 open and forward, and take a lower key if they feel like shouting.
Range moments worth studying
Flowers
Conversational verses around E3–A3, then a chorus that climbs to around E5 in the library’s chart and repeats enough to test your stamina.
Wrecking Ball
Soft, low verses and then a huge, sustained chorus around A4–D5; the classic Miley belt showcase.
The Climb
A gentle country-pop ballad, E3–C#5, with a steady build; a good place to learn her phrasing without the rasp.
Party in the U.S.A.
Bright and bouncy, sitting around F#3–D#5 with the ‘yeah’ hooks in a light, playful belt.
Sing Miley Cyrus’ songs with feedback
Every song below has a full guide on this site: the range, the key, where the hard notes are, and how to practise them. Open one, then record it in the app to hear how close you are.
Can you sing it?
Mezzos and altos with a bit of edge can attempt almost all of it; start with The Climb (E3–C#5) or Angels Like You (E3–C5) before Wrecking Ball. A range label only tells you the edges. Whether a song feels good depends on where its melody sits. The Singing Coach AI app listens to you sing real songs, maps your range and tessitura, and tells you which keys and songs actually fit your voice, including whether Miley Cyrus’ catalogue is in reach today.
FAQ
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Voices in the same neighbourhood
Singers whose cited range and voice type sit closest to Miley Cyrus’. If one of them suits you, the other probably will too.
Lady GagaF#2–B5 · mezzo-soprano
Taylor SwiftC3–G5 · mezzo-soprano
Whitney HoustonA2–C#6 · mezzo-soprano
Aretha FranklinG2–E6 · mezzo-soprano
AdeleC3–C6 · mezzo-soprano
Alicia KeysC3–C6 · mezzo-soprano
Photo: Raphael Pour-Hashemi, CC BY 2.0, via Wikimedia Commons. Range figures are estimates compiled from recordings and are not endorsed by the artist.